Teen movies from 2017
Craig Zahler’s pitch-perfect ode to grindhouse cinema draw the best of extremes out of an actor who’s had a rough couple years crawling out from under the parody of himself. In which we bask in Vince Vaughn’s hugeness, witnessing S. But that’s the thing about having faith in people-it makes it that much easier for them to keep breaking your heart. After the Storm shows this man more kindness than perhaps he deserves, but the film has no illusions: Only Ryota can pull himself out of his own hole. But there’s no scorn in Kore-eda’s depiction of Ryota’s transformation, the director’s patience towards Ryota is both touching and despairing.
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In Ryota’s mind, it’s how to be close to his boy in a way his father never was with him, but After the Storm knows better, recognizing all the ways that he’s failing his kid-and also how, like its own kind of genetic gravity, Ryota is becoming his old man, unable to correct the mistakes of the past. While Ryota fears turning into the same terminal disappointment as his father-or, perhaps, the disappointment he perceived him to be-he tries to win Shingo’s affection, buying him gifts to assert his supremacy over his ex’s new boyfriend.
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If a melancholy, troubled tone is endemic in Kore-eda’s work, so is his close chronicling of family dynamics. And that’s when Ryota is not snooping on his ex-wife Kyoko (Yoko Maki) to see who she’s dating now, even cajoling his 11-year-old son Shingo (Taiyo Yoshizawa) to question her about how serious this new relationship is. Years ago, he was a novelist of some acclaim-he even won a prestigious literary prize-but lately, the muse has run dry, leaving Ryota busily tending to his gambling addiction while taking a job as a private detective. The film stars Hiroshi Abe (who previously appeared in Kore-eda’s I Wish) as Ryota. But because it springs from the mind of Japanese writer-director Hirokazu Kore-eda, this look at a middle-aged man who’s only slowly coming to the realization that he’s a right bastard is gentle, wistful-serene even.
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Oktay Ege Kozak / Full Reviewĭepending on the filmmaker, After the Storm’s storyline could be grist for a dark comedy, a tear-jerking melodrama or a bilious character study.
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It’s a no-fucks-given gonzo experiment, laced with the riskiness of Giallo and the surrealist imagery of a Lynchian nightmare, disparate tones wrapped dreamily around an angry, blunt satire about the self-destructive, soul-sucking nature of greed and ambition. Hollywood’s versatile trickster, Verbinski and screenwriter Justin Haythe go for broke cramming various sub-genres and mood-drenched tropes into an overstuffed, batshit-crazy horror epic, a loving nod to old Universal monster movies, among many, with the mad scientist conducting experiments that "defy god and nature" in a picturesque old castle perched atop a village that somehow skipped the 20th Century, Bojan Bazelli’s gorgeous cinematography taking full advantage of the Euro-gothic aesthetic. It’s a bit of a tragedy that Gore Verbinski’s delightfully bizarre, absurdly violent and grotesque A Cure For Wellness went largely unnoticed.
#Teen movies from 2017 movie#
The Best Movie Trailers of 2017 Here are the 50 best movies of 2017: Regardless of how enraged or enchanted you were with movies these past 11-ish months, we still hope that you can find plenty to love in the following.Īnd be sure to check out our other Best of 2017 lists here:
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It’s been a phenomenal year for film, and most of that judgment is based on the broad variety of favorites that make up our section’s taste. And Matt Brennan bemoaned the quandary of us critics reviewing and ranking films that most readers can’t see-in fact, more than half of our staff hasn’t seen Phantom Thread, because we don’t live in NY or LA-which still didn’t keep those films out of the top 50. Kyle Turner panned Call Me By Your Name, but then it found a prominent place on other lists. Similarly, The Shape of Water was a consensus pick, though Dom Sinacola recently wrote about how much he dislikes the way Guillermo del Toro tells stories. Which is to say: if you’re pissed or elated about anything being on here or not being on here, then chances are at least one Paste Movies staff writer agrees with you.įor example: A Cure for Wellness, our #50 film, was despised by a few staff members, but it was Oktay Ege Kozak’s favorite movie of the year. The goal was and has always been to provide an overview of staff tastes, however much individual lists differed.
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Each staff writer put together a top 20 of their favorite movies of the year, contributing to an aggregate list based on points assigned according to where each film ranked. One idea to ultimately keep in mind, as you count down the best movies of the year with us, is that this list is the result of math.